AC/DC, one of the most legendary rock bands in history, has had its share of collaborations with producers over the years. However, one of these relationships didn’t quite go as planned, leading to a notable rift. The producer in question is Mutt Lange, a name synonymous with massive hits and polished productions. Despite his success, Lange’s approach and personality didn’t mesh well with AC/DC’s raw, no-frills style, leading to a situation where the band ultimately decided they didn’t want to work with him again.
**The Rise of AC/DC and the Lange Collaboration**
AC/DC, formed in 1973 by brothers Malcolm and Angus Young, quickly rose to prominence with their high-energy performances and straightforward rock and roll sound. By the late 1970s, they had established themselves as a force to be reckoned with in the rock world. Their breakthrough came with the album *Highway to Hell* (1979), which was produced by none other than Mutt Lange. The album was a massive success, helping AC/DC reach new heights of popularity. Lange’s meticulous production style played a significant role in refining the band’s sound, making it more accessible to a broader audience without sacrificing its core energy.
The success of *Highway to Hell* led to Lange returning to produce the band’s next album, *Back in Black* (1980), a tribute to their late lead singer Bon Scott. *Back in Black* went on to become one of the best-selling albums of all time, solidifying AC/DC’s place in rock history. Despite this success, the relationship between Lange and the band began to show signs of strain.
**Clashing Styles and Personalities**
Mutt Lange is known for his perfectionism. He has a reputation for being a studio wizard, often spending hours, if not days, perfecting a single track. This approach, while effective for pop acts and bands seeking a polished sound, was at odds with AC/DC’s philosophy. The band’s music was raw, unfiltered, and driven by a live performance energy that didn’t necessarily translate well to Lange’s methodical style.
Angus Young, the band’s lead guitarist, once commented on Lange’s approach, stating that while Lange was undoubtedly talented, he wasn’t a “rock and roller.” This sentiment was echoed by other band members, who felt that Lange’s meticulousness often stifled their spontaneity. AC/DC’s music thrived on the edge, the imperfections, and the raw power that came from capturing a moment in time, something that Lange’s perfectionism often smoothed out.
**The Break and Moving Forward**
After the massive success of *Back in Black*, the band worked with Lange on their next album, *For Those About to Rock We Salute You* (1981). While the album was successful, it didn’t reach the same heights as its predecessor, and the cracks in the relationship between Lange and AC/DC became more evident. The band began to feel that Lange’s approach was steering them away from their roots, making them too polished and losing the raw edge that had made them famous.
Following *For Those About to Rock*, AC/DC decided it was time to part ways with Mutt Lange. The decision was mutual, as Lange also felt that he had taken the band as far as he could. The band went on to work with other producers who were more in tune with their stripped-down, no-nonsense style.
**Legacy of the Collaboration**
Despite the eventual split, the collaboration between AC/DC and Mutt Lange left an indelible mark on rock history. *Highway to Hell* and *Back in Black* remain two of the most iconic rock albums of all time, a testament to the temporary magic that can happen when two contrasting styles come together. However, it’s clear that while Lange’s production helped AC/DC achieve mainstream success, the band’s heart always lay in the unpolished, high-voltage rock and roll that defined their early years. Their decision to move away from Lange was a conscious effort to reclaim their identity, ensuring that they stayed true to their roots.
